I took these a couple of days ago through my bedroom window using a new lens.
btw. If you like any of these and would like a copy, please let me know and I'll happy email you one.
If you're a frustrated musician with a day-job (like me) enjoy experimenting and have been trying to find ways in which you can still explore musical ideas while at work. Here's one for you:
Goto www.freesound.org click on their search feature and type in a random word. You'll be presented with a webpage full of samples which you can preview. The fun thing is that you can play a whole bunch of them simultaneously. That's where the fun part of it comes in.
I'm sitting at work right now with an earbud from my headphones in my left ear listening to a melee
The 'metal' yielded:
Heavy Metal-overdriven guitar strumming
A sonar-like ambience
A clangy door-shutting
A chiming two-tone doorbell
A sword being removed from it's sheath
A musicbox rendition of Happy Birthday
A tibetan bell.
The sustained ambient sound which fades in at the start is actually a sample from Augustus Pablo's - East of the River Nile. It's actually two notes played simultaneously (Piano and Bass). I fed them into a software instrument called 'Time Freezer'. Time Freezer is like a sampler, only, it's a granular sampler.
Granular synthesis/sampling for those of you who aren't familiar basically involves splitting a sample into segments of between 1 to 50 ms in length. VERY short they are. These small pieces are called grains. Multiple grains may be layered on top of each other all playing at different speed, phase and volume. The resultant sound is a fairly easily recognisable one. It has a distinct characteristic.
Anyway, after feeding it into Time Freezer I EQ'd it, cutting out a lot of the lower frequencies and some mid/high range. I then ran it through a reverb.
The second sound to come which sounds a little reminscent of a submerged vocal sound is actually a synthesizer. Native Instruments Absynth, to be precise. It's an incredibly powerful synthesizer which offers a hell of a lot of options and flexibility for complex sound sculpting.
Lastly there's a Flute sample in there with some reverb, EQ'ing and delay. Through out the track I tweaked EQ settings on the tracks and added some subtle flanging in spots as well as a few other minor effects.
- “There can be no thought of finishing, for ‘aiming at the stars’ – both figuratively and literally – is a problem to occupy generations, so that no matter how much progress one makes, there is always the thrill of just beginning.” Robert Goddard
I'm reading 'Audio Culture' by Christoph Cox again. This particular quote from Umberto Eco's Poetics of the Open Work I found quite interesting.
"…the form of the work of art gains its aesthetic validity precisely in proportion to the number of different perspecties from which it can be viewed and understood. These give it a wealth of different resonsances and echoes without impairing its original essence; a road traffic sign, on the other hand, can only be viewed in one sense, and, if it is transfigured into some fantastic meaning by an imaginative driver, it merely ceases to be THAT particular traffic sign with that particular meaning."
Actually most of the percussive, glitchy elements are made using the Attack plugin. I want to add a few extra sounds to pad it out and have a bit more variation but the bulk of it's there.
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Kristi1971 said:
That sounds like a lot of technical precision and hard work. read more
on The Makings of Ambient
nice! wanna know why u named it as "down to sleep"? x read more
on 09.04.28 - Down to Sleep